This sequence was for me a way to add an abstract epilogue to the movie.”Īrticle: Remco Vlaanderen, © Submarine Channel, 27 October 2008. Leurs diffrences et la dure ralit du terrain vont. Il y rencontre le sergent Dougnac, un militaire dsabus. So I worked on the prologue text and the movie title with the memorial wall effect. Dans les hautes montagnes Kabyles, Terrien, un lieutenant idaliste, prend le commandement d'une section de l'arme franaise. This would have been disturbing for the audience. But after one month of work, we – Florent and I – agreed that the effect of this kind of concept was like pausing the film every 15 seconds. “Florent asked me to work on an opening sequence that uses stylized freeze frames of Benoit Magimel‘s arrival in the military camp. “The difficulty was to make a memorial style page with all the names well placed for their ‘switch on’.”ĭuring production, the original plan was abandoned, as it didn’t seem to work for the film. “The ‘memorial names’ are the movie crew,” says Brett. Hundreds of names are horizontally aligned next to each other, invoking the image of a memorial wall. More subtle and contemplative than his previous work, Brett created a sequence that seems to serve as a metaphor for the futility of war. Motion graphic designer Laurent Brett, who you might know from his outstanding title work for Sky Fighters, OSS 117: Cairo, Nest of Spies and Hostage, shows another side of himself with the end credit sequence for L’Ennemy Intime. It wasn’t until October 1999 that the French state officially recognized the war in Algeria.“ Between 300,000 and 600,000 deaths are estimated on the Algerian side. The text reads, “Two million young French people were mobilised in Algeria. Des socits peuvent y succomber toute entire, d’autres y faire face.
Mais tout le monde n’est pas accessible de la mme manire la peur. The text reads, Two million young French people were mobilised in Algeria. Pour les lexicographes et les spcialistes de la psychologie, la peur est d’abord l’ennemie intime des hommes et des femmes isoles ou vivant en collectivit.
A French platoon is sent deep into enemy territory to find and.
The movie ends with a scene on a road in Algeria. Lennemi Intime is set in French-occupied Algeria in 1959 at the height of the insurgency. The movie ends with a scene on a road in Algeria. L’Ennemie Intime (original title) is a war movie that takes place in 1959 during the height of the Algerian war (1954-1962), that ultimately led to Algeria’s independence from France. L’Ennemie Intime (original title) is a war movie that takes place in 1959 during the height of the Algerian war (1954-1962), that ultimately led to Algeria’s independence from France.
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